POETRY




The follow up to my award-winning football-inspired poetry film 'Let Rip: The Beautiful Game' (currently exhibiting in #nationalfootballartprize in Sunderland selected by Mark Wallinger and Sacha Craddock), here is 'Tackle' (Cut It Out)  #football #homophobia #poetryfilm #videopoetry #queerwriting #queerfilm #animation 

Showcased new poems for the first time live last night at the brilliant @TheWordZooUK 'Tackle', 'Apple of My Eye', 'Cruise' and 'Devil's Hole'

#performancepoetry #spokenword #performanceart #liveart #queerwriting #poetry



A short video poem that critiques power relations within gay male culture.

As artist Clunie Reid commented upon this work: ‘What is brilliant in the work is that Lee is troubled about it, that gay culture is not straight forward. The drawings with the irony create a kind of troubledness about gay culture and discloses (Lee's) personal relationship to it’


#poetryfilm #shortfilm #queerfilm #queerfilmmaker #videopoetry #indiefilm #gayfilm #gayfilmmaker #gayfilmmakers #gayfilmmaking #animation #queerwriting #digitalanimation 



'Oh do me a favour mr rainbow flag waver!’

‘love what you’re doing here with colour intruding on the b&w’

‘oooh, a crap ally is the absolute worst “Pink washing is not clever, no matter how clever the pun” - HECK YES’

‘that was incredible, love the visuals’

‘Fear is still here when two worlds collide. They call themselves allies but really they’ve lied’ 

I loved performing 'Camp' and ' Juicy Lucy' at last night’s @incitecabaret

#performancepoetry #liveart #performanceart #poetryfilm #videopoetry #newmedia #spokenword #poetrycommunity




Repetition is such a propulsive force here to emphasize significant themes and experiences!' 
Thank you National Poetry Library @nationalpoetrylibrary for inviting me to perform as part of last night's The Poetry Showcase. Watch here: 
https://youtu.be/YF7L5W-mAuE
#performancepoetry #liveart #performanceart #poetryfilm #videopoetry #newmedia #spokenword #poetrycommunity





‘Tart observations in tight rhyme about how show and show business can often get mixed to a confusing degree.’ 

‘Fabulous stuff, Lee. In the straight monochrome bubble in which I live I hadn't heard of Gary Lucy. But I'm delighted you've introduced me to him. “Kris Akabusi"??? Marvellous’ 


A short poetry film about British actor Gary Lucy with a collage of images charting my homoerotic desire for  British TV personality Gary Lucy, seeing him on television, half naked on the front cover of gay magazine Attitude, seeing him (straight) playing a gay man on British tv soap Eastenders, and erotic fantasies I have about ‘big boy Juicy Lucy’. 

The poem is playful and fun for the first couple of minutes but by the end the repetitive chanting takes a darker, more disturbing turn ...




'SATISFACTION (YOU'RE MATCHED, SAY HELLO' PERFORMED LIVESTREAM VIA ZOOM AT INCITE! FORUM+ NOVEMBER 2022



POETRY PICTUREBOOK PERFORMANCE AT LIVE ART CLUB, VSSL @liveartclubldn 
NOVEMBER 2022

Performances of 'Scrapbook', 'Satisfaction', 'Devil's Hole' and ‘Bears and Cubs'
#performancepoetry #spokenword #poet #wordsmith #queerwriting #queer performance




FREE RUFUS! FREE RUFUS! 'Rufus: A Doggy Whodunnit' performed at That Goddamn Poetry Jam (October 2022) 





Great seeing my poem ‘Bears with Bananas and Bubbles in their Boxers’ published in @cityastheatre ‘Encounters’ Thank you @elistagram and @fi_ku! #queerwriting #poetry



 

SECTION WITH TEENAGE SKETCHBOOK 

FULL SET 






Thank you @TrashSandwich4U for publishing my poem 'Devil's Hole' - download issue 8 for the full poem and QR code to poetry film version 

#eroticpoetry #erotica #eroticwriting #poetry #spokenwordpoetry #spokenword #poetry #queerwriting #performancepoetry #homoart #gayartistsofinstagram #queerart #gay #queer #lgbt #gayart #queerart #gayartist #queerartist #instagay #instascruff

 





LIVE ZOOM POETRY PERFORMANCE FOR PRAGUE BIENNALE (2022) 

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My poem 'Postcards' has been published in this anthology -thanks Rodney Wood and Greg Freeman. with other fine contributions by Heather Moulson, Tom McColl, Matthew Paul, Robert Garnham, Elaine McGinty and many more! 

You can watch the poetry film version here: 

https://filmfreeway.com/POSTCARDS980

#poetry #writeoutloud #poems #anthology





'COVERT OPERATIONS' LIVE ZOOM POETRY PERFORMANCE, 
HEADLINE SET (05/09/22) 

‘Burgers in the freezer!  Classic. I love this, Lee - so powerful’
‘I love the Ronald McDonald outfit’
‘I love the pixelated people flashing in the background’
‘I love the automated voices!’
‘I love the combination of drawings and old school computer graphics also the humour’
 ‘The whole piece is wonderful on every level. Techie me wants to know how you do this, Lee!’

#performancepoetry #spokenword #liveart #performanceart #newmedia #multimedia #poetryfilm #videopoetry #videoart


Really enjoyed performing more poems from my sketchbooks at The Word Zoo in Stoke Newington (01/09./22)

#performancepoetry #spokenword #performanceart #liveart



This short poetry film explores the difficulties surrounding letting go of something/someone whilst recognising that you need to move on. It is an ode to remember to practice self-care and discard things/people who give you negative energies. They are not worth your time.

The film juxtaposes imagery that I shot in the Summer of 2022 at the High Rocks National Monument, U.K with pencil drawings I made long ago of entrants queuing up to reclaim submitted artworks that were rejected from a competition.

   

‘Lee Campbell’s inspired audio-visual take on misheard pop music’ Write Out Loud Poetry

This short poetry film takes the viewer on a journey to Juniper Park, a space of imagination inspired by a moment of mishearing the song lyrics to Joni Mitchell's song Big Yellow Taxi. 



Live Zoom performance of 'Apple of My Eye' 
(10/09/22) f
or Write Out Loud open mic #performancepoetry #poetry #spokenword #poetrycommunity #poetrylondon



'I loved the drawings! They looked like photographs! I think anything like that makes an act far more layered and interesting: twists of costume, props, visual things etc.’ 

First live performance of ‘Camp’ (+ 'Cottage’ at start) with drawings dating back to my teen years at Paper Tiger Poetry, London  July 2022

To watch the poetry version of Camp, click below: 





NEW POETRY FILM: APPLE OF MY EYE

'The combination of James and your Nanny is great!  Really like retrospective combination'

A personal story about childhood, desire and longing / unobtainable love including pencil drawings of my grandmother when she was young and later in life with my Dad and me in 2010 juxtaposed with imagery seeping through lettering made in 2022.



'RUFUS' written and performed by Lee Campbell, Poetry Shack, London (26/07/22). The one poem I will never tire of performing. To watch the poetry film version, click below





CLICK ABOUT FOR PERFORMANCE RECORDING  



CLICK ABOUT FOR RECORDING OF Q&A DISCUSSION POST PERFORMANCE   


'An intriguing piece of performance art: neither theatre nor film, it tries to find something a little different to play with’ 
Louise Penn, LouReviews 18/07/22

“What you choose to see is up to you”. Powerful.'

‘Beautiful combination of painting and film’

This is a recording of a live Zoom performance called Peer by British artist and poet Lee Campbell for Brazil’s Festival ECRÃ on Sunday 17 July 2022. The imagery you will see is drawn from my personal archive of artworks (drawings, moving image work, performance art documentation etc) as an artist of over 25 years. 

Read review of the performance by Louise Penn here: https://loureviews.blog/2022/07/18/review-peer-by-lee-campbell-online-zoom/ 


Innovating the possibilities of media re-use, feeding-back and looping round of text, and the layering of the voices, this multi-layered multimedia sociocreative performance live Zoom performance is a colourful, immersive, textured, organic and disorienting montage of my memories of the seaside.

PEER is rooted in the Kent/Sussex coast and features footage, images, and drawings on seashells and postcards of places/people/objects made along the coast since a child – my own version of scrimshaw. The imagery is juxtaposed poetry I have written which explains the significance of the seaside to me, featuring my family and friends. It captures the strangeness of the British seaside using a telescope that operates like a blinking voyeuristic eye. It reuses performance documentation and footage from my archive as an artist including performances and drawings. The locations of the moving image footage and the drawings on the seashells and postcards were shot/drawn along the Kent coast including Herne Bay, Margate, Whitstable, Sheerness-on-Sea and Dover - all the seaside towns I loved going to as a child growing up in Kent in the 1980s.Black and white drawings reminiscent of the work of artists William Kentridge and Tacita Dean speak of a dark narrative through their nostalgia intercut with snapshots of human activity that pick up the vibes of the seaside. PEER follows on from my prior work that is very observant of English leisure rituals, in places offering snapshots of a less cosmopolitan England, Englishness and a nostalgia for an England that may or may not have existed. A Britain making do with the beaches that we have. The sentimentality and nostalgia within my drawings of Butlins are ripped apart by poetry that discusses how queer people have been silenced in the past ‘This holiday camp where the camp was for straights as campy redcoats were instructed by their bosses not to come out’.  This sets up the context for me to discuss my concerns  with LGBT allyship in poetry that is humorous in tone but vehemently angry ‘You reduced me to a sandwich, who the hell are you trying to kid?  Switching BLT with LBT just to make a few more quid’.

At surface level, the film is made up of just three simple elements: 1) mechanical viewfinder eye 2) the word ‘peer’) 3) footage behind. It may be easy to watch but there is so much to take from it. Putting together disparate images then allowing viewers to draw their own story, what is ‘seen through' a telescope combines nostalgia, British cheekiness, slapstick and a play on words (peer, pier etc.) The telescope eye used as a mask throughout the whole performance is constantly trying to focus.

To read about my long history of creating Zoom immersive performance experiences in the vein of PEER, please read:

Interview with Jane Glennie, Moving Poems Magazine July 2022

See Me: Windows to the Self of the Performer-Autoethnographer, The Autoethnographer



CLEVER AT SEEING WITHOUT BEING SEEN, RECLAIMING MY VOICE, RUFUS PERFORMED AT WERK,THE GLORY, LONDON, JULY 2022 



NEW POETRY FILM: COVERT OPERATIONS 

‘I enjoyed this because as a gay man I can relate to the situation of men living double lives. Your poem, with humour, exposes this sad fact of people in years past being fearful of acknowledging their sexuality' ‘Brilliant depiction of the awful awkward sex education of so many secondary schools.’ 

‘The internalised homophobia in this piece is so important’ 

‘Adored the imagery of Grammar School Guy put on the fryer cos workers don’t want his voice in McDonalds. Going out and looking at him and wanting his burger in your baps, that’s the comedy! Grammar school guy is genius writing, almost with a tinge of innocence because it’s never going to happen’ 

This short animated poetry film explores the ways that queer people have to learn to covertly hide their sexuality very often before and after they realise they are gay/lesbian/queer etc. The film shares personal stories from my own experience as a gay man, and the different ways I had to navigate my homosexuality growing up through ‘covert operations’. 



NEW POETRY FILM: NICE CUP OF TEA 
The way you superimpose the tea leaves with the footage and we enter a world at the start is lovely’

‘Love the storytelling’ 

‘I really enjoyed this one Lee. A great sense of location and memory. I particularly liked the line "New memories about to be made in spaces so familiar and historied to me'
 
‘I feel like a guest - along for the walk. Pleasing evocations of 
time and place, described in a way that E.M Forster might go 
along with if invited by the likes of John Betjeman..’

‘Haha the guy talking about washing powder… that made me laugh! love this Lee (Sam Oliver) 

‘I think I need the loo now!’ Love that Lee

‘I love the way you take us through the London streets #453bus’'Reconfigured and reimagined through cups of tea'

A short poetry film about the excitement of meeting someone for the first time and going on your first date, spent reminiscing whilst drinking cups of tea. 



NEW POETRY FILM: RECLAIMING MY VOICE 

‘Loving the little snippet vibes … like fleeting memories’

'Self-affirmation and self-acceptance are the keys to a contented fulfilling life. To each his (or her) own, they say'

'Brilliant, inspired and inspiring in equal measure, and - as ever - delivered with positive intent'

'‘Really related to that, that some camp or feminine qualities that some gay men have because sometimes we (gay men) don’t acknowledge that we have that so it’s like they are invisible.'

This short poetry film speaks about my difficulty as a teenager growing up gay in a heteronormative environment in 1990s Britain, me being a ‘lad’ (a man demonstrating stereotypical almost hyper masculine behaving) and trying to act my ‘lad-self’ to fit in with others (my heterosexual mates) by speaking and behaving like a ‘lad’. ‘Sound manly, act the geezer on my Harley. Hide the fact, in my bedroom, I learnt Polari’. speaks about my fear of acting/sounding ‘camp’/effeminate to not reveal to my friends I am gay. The poem finishes with sharing how I overcame these difficulties and no longer worry about how I act/behave/fear of sounding camp; ‘I was born with this voice. I did not have a choice. My voice no longer haunts me, it liberates’. 

This short poetry film contains drawings that I made in 2005 and 2018, moving image footage shot on my Sony Ericsson Cybershoot K800i mobile phone in 2007 and photographs taken on my iPhone in 2018.



BOLD QUEER POETRY SOIREE PERFORMANCE, ABOVE THE STAG THEATRE, LONDON, MAY 2022

Combining humour, performance poetry and visual moving imagery made up of my personal archive as an artist of nearly 25 years, SEE ME is a multi-media, immersive, (almost) autobiographic solo performance sharing my personal history of seeing and not seeing to confront the politics of seeing and underline how validating seeing can be but also the difficulty of not being seen. It presents a journey through different relationships (to my dad, to the gay community, my partner, and spaces of queer imagination) I have experienced as a working-class gay British man interspersed with various references to the cultural context that (any)one can relate to. As I perform, physical props in the space bring to life certain parts of the poetry, including cassette tape recorders and hand-drawn pencil drawings of a dog called Rufus.


SPINACH AND EGGS PERFORMED ALONGSIDE STEWART HOME AND WILL SELF AT NEW POETRY SHACK, LONDON MAY 2022 

LEE CAMPBELL: SEE ME: BRIGHTON FRINGE 2022 

Combining humour, performance poetry and visual moving imagery made up of my personal archive as an artist of nearly 25 years, SEE ME is a multi-media, immersive, (almost) autobiographic solo performance sharing my personal history of seeing and not seeing to confront the politics of seeing and underline how validating seeing can be but also the difficulty of not being seen. It presents a journey through different relationships (to my dad, teachers, school peers, work colleagues, to the gay community, alter ego, my partner, and spaces of queer imagination) I have experienced as a working-class gay British man interspersed with various references to the cultural context that (any)one can relate to George Michael, late-night TV, bad porn, fancying schoolteachers etc. As I perform, physical props in the space bring to life certain parts of the poetry, including cassette tape recorders, photocopies of a large scrapbook I made as a teenager and hand-drawn pencil drawings of a dog called Rufus. 



SEE ME: A collection of poems that I have written and sounds and imagery made up of my personal archive as an artist of nearly 25 years performed at Runt of the Litter, Hackney Wick, London in May 2022. Click play to watch video below. 




 






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‘From the live euphoria of #football, to homosexual desire and the macho body in action’… Thanks for @insta.inksweatandtears for featuring my #poetryfilm Let Rip: The Beautiful Game

https://inksweatandtears.co.uk/hear-me-hear-my-silence-poetry-special-lee-campbell/



CLICK ABOVE TO PLAY 

‘An interesting alternative view of a place I know from my days at work on the other side of Oxford Street - one I passed through on a short cut to destinations further south.’

‘I like the animated text and key words of the poem. “Conjectural mystery/architectural” was nice! The mock Tudor place at the end was great. I think I know where it is.’ 

'Love the ending - it all comes together so nicely with the cottage emerging into view as you speak the Polari. Also love the gaps and pauses, gives time for words and images and atmospheres to sink in - sensuous'




Honored to be featuring (again) in Issue 2 of POWDERS PRESS: WASTELAND with my poem ‘See Shells’ https://filmfreeway.com/SEESHELLS2022

#poetryfilm #shortfilm #videopoem #drawing #scrimshaw #spokenwordpoetry #spokenwordartist #poetrycommunity #poetryisnotdead #words #gaypoet #spokenword #poetry #performancepoetry #poet #poem #seaside


'THE TALE OF BENNY HARRIS 'LIVE PERFORMANCE AT THE WORD ZOO, LONDON (03/02/22) 
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'CAMP-BELLE' POETRY FILM
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'SEE SHELLS' POETRY FILM
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'SEE ME' POETRY FILM
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'RUFUS' COMEDY POETRY PERFORMANCE AT MONKEY BUSINESS COMEDY CLUB IN CAMDEN NOVEMBER 2021
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'RUFUS' POETRY FILM 
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'CLEVER AT SEEING ...' IRL PERFORMANCE - CLICK ABOVE TO PLAY 


Great to have two poems included in this new journal for queer writing https://www.powderspress.com/issues




CLICK ABOVE TO PLAY DOCUMENTATION OF MY SET 

'So immersive’ 
‘Monica /Moniker, Campbell/Camp Belle’ 
.. so hypnotic and really nostalgic for me too’
‘Taken on such a trip there Lee. So much 90s nostalgia there too - Everything But The Girl - definitely taken straight back there’ 




REVIEWS OF MY PERFORMANCE POETRY   

'I love how Lee fuses the poetry with the filmmaking, really creative and everyone appreciates him when he comes to PoetryLGBT, he brings something different, he’s been able to use Zoom to enhance his creativity and that’s been amazing to see' 
Andreena Leeanne (founder of PoetryLGBT), interviewed by Matt Skallerud, April 2021

'I tuned in on Thursday night to watch open mic'ers Francis Golm, Pip McDonald, Lee Campbell, and Jaden Morton make full use of their opportunity, often employing the extra potential of online visuals to great effect – especially in Lee Campbell’s case. He was able to show us what we missed when a glitch prevented us from seeing the full range of his experimental and innovative visuals at the Write Out Loud fundraising night in January.'
Greg Freeman, Write Out Loud, Monday 24th May 2021 

I have developed a diverse identity as an artist/performer/poet whose creative writing is gaining recognition on the national and international LGBT performance poetry and queer writing scenes. I have recently performed my poetry for events hosted by Write Out Loud Poetry, London Queer Writers and PoetryLGBT and in January 2021, I curated a set of queer poetry evenings for BBC Radio. My current practice fuses performance poetry and experimental film as a form of autoethnographic storytelling/sharing of personal narratives often raw, often painful but always generous and authentic. These narratives often relate to aspects of me being gay, British and working class employing barbaric wit and humour in their storytelling. Recent  publications of my poetry include Queerlings – A Literary Magazine for Queer Writing and my poem ‘Clever at Seeing without being Seen’ was recorded for Sometimes, The Revolution is Small, Disarm Hate x Poetry' project by Nymphs & Thugs Recording Co. UK. My poem 'Spinach and Eggs' will be published by Otherwise magazine in early 2022.

See links:
(Lee Campbell Curates Queer Poetry for the BBC) https://youtu.be/zs_E9F8t3W8



These poems were performed live via Zoom. The imagery that you can see is from my personal archive of artworks from the last twenty five years. A montage of young queer experience. 



LET RIP: TEENAGE SCRAPBOOK 
WORK-IN-PROGRESS PERFORMANCE AT THEATRE DELI, LONDON 
SEPTEMBER 2021

Work in progress showing of a new solo performance involving a teenage scrapbook that I kept in the mid-late Nineties as a teenager. The work was produced as part of a mini-residency at Theatre Deli, London. More info on the project here: 

 




                                                CLICK ON ABOVE TO PLAY

'if you want to get sold' oof heavy, love it’ 

‘Intercreative with history.. love the resistance too- the energy of the 90s ‘ 

‘Wow Lee. Vulnerablitliy exported there. Fatphobia is insidious’ 

‘Feeling the gut punch. Sharp audio/images/language’  




GOB JAW, LONDON (05/10/21)


THE WORD ZOO, THE OTHERS, Stoke Newington, LONDON (07/10/21)


PLAY ON WORDS, THE BRIDGE HOUSE THEATRE, LONDON (03/10/21)




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‘You have the ability to verbalise all those layers that I feel but have yet to find a voice for! Angry and authentic, Avant-garde like Derek Jarman’

‘Evokes sharply and poignantly a lot of the feelings which are so common to discovering one's sexuality in adolescence ('I got very clever/Very clever at seeing/Without being seen' was both brilliantly simple and touching), and the double meanings littered were rich and effective’

‘Love the live element alongside the constant peeling and reworking layers of time and perception’ 

'Can so relate to George Michael!' 

‘All this stuff that has been marshalled into this form- that’s an act of strength ‘

“Dad watched the match; I watched the players.” Love the idea of football as erotica  and the ‘soundfield’!’ 

‘I also smuggled Gay Times!’ 

‘It nails a specific talent, queer people need to acquire, the title’

‘So very powerful, bloody raw. The sound effects and delay work very well. All the recordings and soundscape very intriguing and almost remind me of The Wall. Love the honesty.’

‘a whole journey through identity - astounding, absorbing’

‘GENIUS meld of powerful messaging, word play and sense of history’


THREE POEMS: 'HEAD BOY', 'HUNK IN TRUNKS' and 'BLINDSIDED'
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'LET RIP: THE BEAUTIFUL GAME' (POEM VERSION) 
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PERFORMANCE OF ' SEE ME: AN (ALMOST) AUTOBIOGRAPHY' 
at PLAY ON WORDS, 
THE BRIDGE HOUSE THEATRE, LONDON, OCTOBER 2021
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'DIRTY LOOKS' 
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'NICE CUP OF TEA', 'JUNIPER PARK', 'SEX ED'
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'CAMP-BELLE' LIVE ZOOM PERFORMANCE
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‘Love this autobiographicfantastique!’
‘Loving this, the pace, the rhyme, the word play, the lighheartedness’
‘What a lyrical piece of narrative! Told in a superb style!’

‘Great rhyming ‘
‘The visual aspect was really interesting’
‘That was really powerful and a lot of it was very relatable. Love the video work’


'CAMP-BELLE' 
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'SEE ME' POEMS LIVE ONLINE PERFORMANCE FOR FORUM+ INCITE AUGUST 2021
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'SEE ME: A WALK THROUGH LONDON'S GAY SOHO JULY 2020'  
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'SEE ME: TACTICS OF SEEING' 
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'COVERT OPERATIONS' 
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Excerpts from 'Covert Operations' - background images are pages 
from my teenage scrapbook (1993-1999) 







PERFORMANCE OF 'SPINACH AND EGGS' at MIND OVER MATTER,
 FIDDLERS ELBOW,CAMDEN, LONDON JULY 2021
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PERFORMANCE OF 'CLEVER AT SEEING WITHOUT BEING SEEN', 'CAMP-BELLE' and 'NICE CUP OF TEA'  at POETRY SHACK
THE Betsey Trotwood, LONDON SEPTEMBER 2021
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PERFORMANCE OF 'NICE CUP OF TEA' at PLAY ON WORDS, 
THE BRIDGE HOUSE THEATRE, LONDON, OCTOBER 2021
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PERFORMANCE OF 'SPINACH AND EGGS' 
at PAPER TIGER POETRY, TEA HOUSE THEATRE, VAUXHALL JULY 2021


'Incredible pace and touch of humour'  Paper Tiger Poetry, Tea House Theatre London, 30th July 2021 

Thank you Jason Why MC and for audience comments for 'Spinach and Eggs' #spokenword #spokenwordpoetry #poetry #performancepoetry #papertigerpoetry



THE PERFECT CRIME: A DOGGY WHODUNNIT (POETRY FILM) 
WATCH HERE: 


PERFORMANCE OF 'CLEVER AT SEEING WITHOUT BEING SEEN' 
at PAPER TIGER POETRY, TEA HOUSE THEATRE, VAUXHALL JUNE 2021
CLICK ON ABOVE TO PLAY 



'CLEVER AT SEEING WITHOUT BEING SEEN'  LIVE ZOOM PERFORMANCE JULY 2021
CLICK ON ABOVE TO PLAY



'JUNIPER PARK' PERFORMED AT INCITE POETRY JULY 2021 AND PUBLISHED
IN SPILLING COCOA


INVITED SET FOR PERFORMANCE ANXIETY UK POETS EDITION #2 (15/07/21) 







CLICK ABOVE TO PLAY VIDEO POEM


CLICK ABOVE TO PLAY POEM PERFORMED IN FULL 



SECTION OF POEM PERFORMED via ZOOM


LET RIP: TEENAGE SCRAPBOOK 
WORK-IN-PROGRESS PERFORMANCE AT THEATRE DELI, LONDON 
SEPTEMBER 2021

Work in progress showing of a new solo performance involving a teenage scrapbook that I kept in the mid-late Nineties as a teenager. The work was produced as part of a mini-residency at Theatre Deli, London. More info on the project here: 
 







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